Amplifier Protection
Amplifier protection is not one of the
items which an installer or consumer think about. It is another thing for us as
designers as we must attempt to anticipate what may happen to the electronics
in the field. The automobile is a hostile environment for electronics and so we
must incorporate several protection mechanisms in the amplifiers to keep them
operating. At Zed Audio we have always paid attention to this fact and
incorporate several protection circuits in our amplifiers.
Thermal protection
is the first line of defense against heat – the arch enemy of electronic
components. Transistors, Mosfets and diodes will operate quite happily at 100
deg C (Yes they must be temperature de-rated at these elevated temperatures),
Integrated circuits, capacitors, resistors, connectors are not to keen to have
their operating temperature exceed about 80 deg C. The reliability of ALL
components is reduced when exposed to high temperatures so it is in our
interest as designers to keep them low.
Large heatsinks are a must if forced air
cooling is not employed. Class A-B amplifiers are not that efficient and they
will generate lots of heat when driven hard especially into low impedances.
Multi-rail (Class-G) can be employed and this allows the use of smaller
heatsinks but at the expense of more complex electronics.
I would imagine that almost all mobile
amplifiers have some sort of thermal protection. A thermal sensor is mounted to
the heatsink and it is either in the form of an electro-mechanical switch or a
thermistor. The switch is simple in that the remote turn on line can be simply
switched off when the sensor reaches its cut out temperature. Some have
hysteresis built in, others do not. A thermisitor is a device whose resistance
will change with change in temperature. The type Zed Audio use goes lower in
resistance as temperature rises. We incorporate it in a bridge circuit with
hysteresis. What the hysteresis does is once the amplifier has shut down (we do
this at about 75 deg C) it shall only turn on when the heatsink temperature has
dropped to 65 deg C.
DC protection is
a form of protection which monitors the signal on the speaker outputs, removes
the AC component (The music) and checks if the residual DC is less than a
specified value which the designer chooses. Typically a DC level of about 4 to
7 volts is considered safe for speakers. So we have a sensing circuit which
monitors the DC component at the speaker, and if this DC component is greater
than 5.2v (either positive or negative), the power supply is shut down and
latched off. The only way to reset the system is to turn the amplifier off,
wait a few seconds and turn it on again. If the amplifier clips hard with non
symmetrical waveforms and the net DC component due to this clipping exceeds the
5.2v the amplifier is shut down.
Reverse polarity
protection is to protect the power supply if the power leads are connected the
wrong way to the battery. The old method was a great big fat diode connected
across the power supply terminals in a reverse direction. If the leads were
reversed, the diode would be in the forward conducting mode and would instantly
blow the fuse (and hopefully not itself). The net of about 1v of reverse
polarity (the conducting diode would have about a 1 volt forward drop) was
insufficient to damage the power supply. Fortunately Mosfets
have a built in diode which can carry the same current as the Mosfet. The Drain – Source junction is essentially across
the incoming 12 volt and so the body diode does the same job as an external one
would.
The remote turn on line suffers the same
fate as the main +12v would if polarity is reversed. A simple series diode
(0.6v forward drop) does the job. Zed uses a three transistor circuit in this
application as we use it to control other functions in the power supply.
Short circuit
protection is probably the most difficult to
implement. We must attempt to protect the output devices in the amplifier as
well as the power supply. In addition the output devices must be protected
against very low impedance loads. The way this has been done for the past 30
years is to use what is known as V-I limiters. Their name implies what they do
for a living. The circuit shall monitor the volt-amp relationship in the output
stage, and if the safety limit is exceed, the circuit would remove drive from
the output stage. There is a problem however. When the circuit is activated and
the drive to the output stage is removed, the shorted or mismatched load is not
being driven with signal (remember it has been removed). The V-I limiter then
says to itself “hey no more work to do, stop removing drive from the output
transistors”). So the drive is instantly restored. Well the V-I limiter
immediately senses the shorted/mismatched load and does its thing again. This on-off
cycle continues and what it does is causes high frequency artifacts to be
superimposed on the output waveform. BAD FOR TWEETERS is the result. How can
this be prevented? In a mobile amplifier we have a switching power supply. Zed
does not limit the drive to the output devices but we take the V-I limiter’s
error signal and inform the power supply politely that there is some sort of
problem on the speaker line and that we will shut the power supply down – which
we do. Once the power supply is shut off, and latched off, NO damage can occur
to either section of the amplifier. In Zed amplifiers we also employ a static
and dynamic V-I limiter. We allow the limiter to let the amplifier continue to
operate into sub 1 ohm loads for a “few milliseconds” with a music signal but
with a sinewave test signal the static threshold is
what causes the V-I circuits to activate.
Radio Frequency
(RF) protection is done in several places within
the signal path of our amplifiers. The first line of defense is at the inputs where
we use a low pass filter set at 338KHz and again at
the level control amplifier another low pass filter at 338KHz.
Copyright Information – This document including all text, diagrams and pictures, is the property of Zed Audio Corporation and is Copyright © 2005.